why am i fat
poems by Ron
Androla
some of these poems
have appeared online at the-hold.com
randrola@hotmail.com
2407 raspberry st.
erie, pa 16502
why am i fat
pound & a quarter 75% lean ground
beef
ann creates a delicious meat-loaf.
plus mashed potatoes with a few slices
of amerikan cheese swirled within,
plus big caps of mushrooms
out of the oven, buttered.
a feast, i eat
seconds. ann has been asleep
for at least 2 hours,
dropping off when bart phoned.
i have continued
this guzzling
of green bottles.
midnight, my bald-spot
is like a black-hole
of my death: i'll be
ready.
i'm ready.
no i'm not.
that's life in balance,
where we all
must stand,
or fall
off.
i think homer
simpson
is an ideal, eternal god of men.
we need it all
based on cartoon humor,
these throes of existential
trapping -- as if
a religion of poetry
isn't funny enough
caricatures
need needed
because
look at any human
look at any human
LOOK AT ANY HUMAN
now minus our limbs
& our mouths & let us
roll along,
all molecule'd, the stars...
now what
i drag the self i sense has a body
from our king-size mattress on the
floor
in winter afternoon gloom shadow. i rise,
then can't. left thigh-socket isn't
right, there's pain, ouch, when i press
weight that side. hobble with my left
shoulder along hallway wall
to the nook of a bathroom where i piss
weighed into the right of my side.
think it'll work out,
must have slept on a muscle
of sheet & blanket or something,
it'll work out.
hobble around, get coffee,
check thru blinds at the day.
call doug.
he has to leave with his mother
to get his hair cut. there's a little
tension there, i sense it,
he must want to do
something else, something
is in the air. i don't know
how i survived those last couple
of years with his mother,
bad emotional times.
but survive i have,
albeit with a mysterious pinched nerve.
aches & pains.
rectify what my mind
knows as truth,
as waking
in a dark
afternoon with who & what i am.
memory
i don't remember the colonoscopy,
the actual procedure. i remember
looking at things on the ceiling
in a little room, & when the doctor
says turn onto yr left-side
& i turn
& he begins the new drip
in my i.v., or does he
simply shoot an injection,
i don't know, i'm on my side
with my i.v.'d forearm in the hands
of doctor glennon, he's adding
sedation,
next thing i realize ann is
in the room
& everything is done & over
with,
& we fly upstairs
& in the same bed in the same room
with 3 other old guys
i pass in & out of consciousness
for a while,
then eat a
ham sandwich
then i dress
& walk outside in sunshine
to the parking-garage across
the street where i slide into
the passenger side.
way too high to drive.
make appropriate
cell-phone calls.
i just awoke
at the beginning of this poem
from our
couch. ann has left
to get us
arby's & beer.
colonoscopy?
everybody over 45 shld
get
one.
get
one.
i've been wanting to write this poem since morning
darlin'?
yes dear...
you wanta beer?
aha!
that's how i come
from the shower,
clean &
happier. a beer is perfect.
while standing under
sprays of hot water i think
about work
& the 30 years of work
i've worked in amerika's
factories. i begin to see
a long, high, rusted metal ramp
with levels & levels of steps
up the side of a wooded cliff
to a guard's little shack
where the b & w steel-mill
spreads across plateaus of scrap-metal
land.
i am seventeen & it's summer
before i leave for college,
i'm college help, one of several
kids of steel-worker dads,
but i don't know anybody.
it's my first day there.
i've driven the old yellow le mans
to this back entrance
where i ascend with a throng
of thronging men.
fast-forward
30 fucking years of life.
my gray hair, my increasing
baldness -- "the steel-mill
killed my father" is the title
of an old poem of mine.
swing-shift, tons of overtime,
production stress & amerikan
culture circa 1972.
my dad smoking those dog-turd, italian
cigars. i'm seventeen smoking
kent cigarettes. i'm
driving spikes on a sunny morning
with a broken sledge-hammer.
i cannot
imagine
my
future.
a love poem, lover
it seems it's been a long time
i've written you a love poem
altho i can expound i always write love
poems
& love poems to you. you're why i write,
why i've written all these decades.
but driving up the hill from the beer
store
where i secure a fresh case of rolling
rock
from the guy who counts out change like
"nineteen...," i hand over a
twenty, & i
WAIT, "twenty," he says
reluctantly,
expecting a tip. fuck him.
fuck the steelers. "have a good weekend,"
the beer-man chides.
i'm not watching the super bowl.
our kitchen is stocked
with edibles & drinkables &
both of us are off work
here very soon: you have another
hour & ten minutes to go,
then you'll be sweeping thru the door,
& as you sweep past,
pecking me with a kiss,
i'll hand off a halfback
bottle up the middle, & you run,
baby, run!
so jeeping it up the hill
thinking of writing you an over-due
love poem a mere 15 minutes ago,
i have.
let us
drink
& drink
& drink.
not long ago
a few years ago
we did drink with a guys & dolls
euphoria of
dance & song & talk,
we did. the world was all pre-september
eleventh, & a smoke supply
pulsed within wonderment, half-gallons
of kessler's, darling, how many
half-gallons we gulp down back then?
crazy middle-aged people early 40's
picking up a relationship from
1975, twenty-some years later,
but middle-aged, broken by life,
betrayed by love -- then karma
comes sucking its own
mandala cock in an infinite
edible blessing of
consumption.
we used to drink all evening into
night & beyond. a few years
& now we might make it
until 10.
there're bottles of cold beer
to guzzle, sweet-heart, let's
guzzle, pass
out in our homer
simpson way of
reality.
we are like aging
incredibly
fast,
quickly!
what fucking
time-warp is
THIS??
you
you sit awake at four thirty in the
morning
with only one light on, & the
computer. you
are losing yr eyes, things blur, the
reading-
glasses half-help, but even now
with yr face in front of this glass
screen
crisp focus isn't physically possible
& you
simply chance it, typos be damned. this is
poetry, god fucking damn it, not a
colonoscopy,
not a last chance at a job,
not a credit-report. you are always
reminding yrself
being a poet isn't being
a normal
human.
you have this
need
you
create
a
circle with words.
calling off work because
i'm trying to fry breaded cod
filets it's 5 in the afternoon
& ann will be unlocking the door
any
minute. i flip the two foot-long
filets of seasoned breaded fish in a
pan but they filet apart in like v's of
white flesh darkly skinned by burnt
bread-crumbs. i think my job is a
piece of shit & what i do is beyond
what a man ought to do
to earn a living wage. absurdity
mutates into hatred:
you wanta know what i think about
the international association of
machinists & aerospace workers
union i pay $8.25 a week?
don't goddamn ask. ann brings home
a 12-pack of beer, & i rush out to
get us
a second 12-pack, & fuck you,
factory of fools, i call off work,
fuck you, smell of fish fills this
apartment &
i'm drunk saying fuck you.
sky-diving at 50
nestled within the tendons of ann's
angel-wings, i've slid onto our bed
after sleeping in the recliner
most of the evening
thinking i can ease right
back to the magic
of one's self
losing one's conscious grip of mind.
i'm almost there, ann is so warm,
so soft, giggles, mmmmmmm's,
in the darkness. but my brain
is a lava-coming volcano, all
inner activity bursts up in forms
of fire & thought &
memory. ann will be
46 wednesday.
i say into the skin of ann's back
oh ann dexter soon you'll be
the big five oh!
she mumbles from the other
side of the world,
"that's when i want
to go sky-diving for my birthday."
with a parachute? i ask.
she giggles a little like an
amused cartoon marge
simpson.
i'm
up.
i'm
downing coffee.
ann is
peacefully asleep.
i'm
writing.
i'm
dropping down thru black sky
mist of
cold dew molecules crackling,
my head is a blacken'd
melon
while a reader
is a cement street.
somebody tell us
somebody tell us
where our double-chins
are coming from, our
pot-bellies.
two hundred & nine
pounds,
two hundred & nine pounds,
i have NEVER weighed
two hundred & nine pounds,
but i do. somebody tell us
what to do to get bodies of
teenagers again.
i remember the soft blond hairs
of ann's melon breasts. i remember
her honeydew-flavored nipples.
she must recall my
cock sticking straight up skyward!
we're 30 years from then.
somebody tell us
where to secure
ecstasy.
somebody tell us
we are always beautiful.
kimberly's party at 7 in florida
partly cloudy, middle 60's,
no wind. a new mercedes sports-car,
red ribbons around blue marble pillars
of kimberly's stone mansion. calypso
music inside the rock walls rattle
the windows. we peek thru the glass:
gowns, women are wearing gowns.
men are tuxedo'd, nicely suited.
i have my gray jogging-pants
on & ann is in a see-thru
brown-printed sundress
she's worn since 1975.
we have swallowed
big ecstasy pills,
we are smoking
kind-bud & we are
ready to
party.
*
we have not showered
& we had sex today,
sweat of sex films
our skin. i have chicken
between my teeth
& need an alka-seltzer.
ann's arm-pit
smells like a ripe cantaloupe,
& she's too
drunk to meet people.
the x has got us
way way hot,
we are
panting at kimberly's
ivy-vined
window watching
guests arrive,
served drinks.
look,
chivas by the wooden barrel!
truffles &
caviar!
nudity?
you want nudity?
you think factory poets
have a problem with nudity
high on
x & scotch
in the florida
evening?
*
acuteness of colors
tho edges of things
jiggle, that's my head
shaking, no,
i'm dancing in a crouched position.
i'm thinking voodoo, this
close to haiti,
& losing track how many
fat pink pills of x
we swallow
outside kimberly's
floridian house
handed down
with family money,
lawyers all over,
judges, too.
plus we are very
stoned on kind-bud,
so stoned we
decide to be
creatures of the night
outside & spy
upon kimberly's
party. our faces
are flushed with
vibrations of ecstasy.
we see secret couples
kissing in corners.
ann is sucking me
off but i am emptied
of cum --
she pretends she has
a liquid-filled, droopy lolly-pop
in her mouth.
we peer upon
lesbian lawyers
fingering each
other up under
black skirts.
we watch two old
men kiss,
dentureless.
soon it seems everyone
at kimberly's party
is experiencing various
sexual encounters.
men are seed-pods
bursting milky
seed.
the girls
are wet & sticky
with semen,
but they giggle,
they all giggle.
eating soup
ann made soup.
man she makes good soup.
dracula
is on the amerikan movie
channel,
the one with winona ryder.
i am going to eat soup
& watch dracula.
ann is already
asleep.
beautiful day
it is ok for old people, & old
poets at that,
to admit they slammed back 16-ouncer
cans of
beer with a box of chicken, i mean they
drank
80 ounces of beer each
& pigged an 8-piece box of chicken
& it wasn't even evening-time.
it was 5 o'clock.
they passed out.
her snoring on the couch woke him
on the recliner with a sore neck
at 11 at night.
they went to bed
& her snoring
wakes him
early, 6-ish.
dust of snow overnight.
everything outside looks
iced, & morning is gray.
what won't happen
stolen nuclear devices & secret
launch capabilities on any day at
any hour are always possible scenarios
negating a simple broken index finger,
say, or too much fat in one's diet.
jesus god what goes thru us,
our worm self thru tunnels of hours
we chomp away at present air
(talk). i am certain our species
is doomed to extinction.
we are little bubble-dream pods
ascending
physical arc of firework
star,
of arcane light falling yellowing from
green.
it is horrible to assert such certainty
to our character &
intelligence. our blindness
& our slowness
& our clan-like
realities are
human vulnerabilities
to staying alive
on the surface
of a spinning,
rotating planet in the milky
way galaxy.
let gravity
magically relax
for fifteen minutes...
slice-like cracks of beer-can tabs
as if we ease
air out of
a chipmunk
ripping off its
little head
blood-bubble carbonation
gulp it
chin-risen
howl motherfucker
this is another howl
pile of dead
headless empty chipmunk
pelts
i want blood
darkness
fire
you
easter
ascension, there's a concept for you,
we rise
from stone dead body. we ascend like a
ghost caravan to god. we attend meetings,
we make mental blue-prints
as our angel-wings involuntarily
flap.
we stand on floors of clouds,
mirages, hallucinations, wisps
half-human, half-mist, all
illusion.
we can move a twenty-ton rock,
dig a trench, let the boulder roll,
fill the trench back in & call it
an
ancient miracle. it's easy enough.
human minds believe a number of
illusions are real reality.
but at least we all ascend.
we attend meetings
& brainstorm. time lasts
by moments, not
centuries. jesus is dead.
eat an easter rabbit.
opening day
opening day of trout it's black
outside, dripping rain. birds are
still singing, warbling around
sounds of pre-dawn wetness. it's
58 degrees, foggy, early april.
i'm back about 5 years ago
& doug's leading me over dangerous
arrays of boulders down by greengarden
park -- a little creek runs thru it.
we follow the water under bridges,
we ascend & climb guard-rails,
cross a highway, carrying our poles
& supplies. we pass other
people also climbing over rocks
& things with their fishing-gear.
it's happening right now,
i'm sure of it,
even in this light, steady rain.
this photograph
first, look, it's a bare
bleached walrus belly
& i'm chewing on chocolate
pop-tarts, frosted, sprinkled
with sugar. smart.
i have seven bottom teeth left.
so i'm fat,
bare-chested, chewing on a dark
brown pop-tart. ann is in the shower,
no, the shower has just stopped.
irish spring soap.
plus my eternal old spice.
plus sandalwood incense
i lit while shitting upon
the dawn water of
awakening. plus a very burnt odor
of something very burnt
when last night the place
filled with smoke
from our toaster-oven:
ann was cooking us
buns,
but in her meditation
of prone-ness she
fell
asleep -- i'm here typing
away
with 6 dough buns on fire
in our toaster oven
in the kitchen.
well,
this morning we made long love,
we look, & feel,
satisfied, but puffy-eyed.
ann's wet hair
tickles my ear
as we press
side by side
smiling here
for you.
what i mean
sub-real, an under-ocean
current,
jupiter's knot of stormy
orange eye.
intention. filling intention
with bunches of fruit.
appropriate green apples.
bizarre blue pears.
banana of liposuction yummy as
buttermilk.
belly bulges like a weighted
hula-hoop of gray, hair-fleck'd
lard around the
center of me.
twice they've had
probes up my asshole,
viewing those wet wrappings
of pink intestine.
it's all about death, about dying,
& about loving. it's
about paradox
& wrong answers. so wrong,
blatantly
wrong. i see a star
in the sky.
i am the only man
rooted right here
who sees a star in the sky.
a very far star, its faintness
requires hallucination to focus.
there it is again.
a pulse of light, a beacon
set at one blink
once every day. my name.
i feel ridiculous
to have a name.
maybe you do too.
there isn't me,
there isn't you.
sunday morning blues
we have a thin, blue-yellow box of
fish-
sticks in the freezer, & not much
else.
we've bought single rolls of
toilet-paper
these past 2 weeks
as things run out & tho we can
afford
to shop, we don't, we hold off, we
work hard, stay exhausted, find excuses
not to venture within quality market
pushing a big silver cart.
yes, we're a little eccentric, ok,
it's true. soon we'll emerge
from our red jeep on a rainy april
sunday morning, waddling thru
the supermarket's puddled parkinglot,
grabbing two carts,
& it's ann to the right side of the
store,
me far left,
& we more or less
need everything.
outside our door
there we are
outside our apartment door
with my key on my thousands-of-keys
keychain aiming for
the golden knob
in one hand
in my other hand i hold
a bag from burger king
& under that arm
a 12-pack of rolling
rock cans. ann has
her purse, a bag from country fair
store.
it's 7:30 in the sunny,
chilly, early may evening
& after we are secure
in this tiny womb of rooms
we eat a week's worth of saturated fat
& get moderately drunk
"this IS a little
strange for old people
to be doing,"
i announce.
"i'm not the one
eating the double whopper
with cheese,"
ann corrects
me.
sheepish me.
almost 48
gobbling on a double
whopper with cheese
with my bottom dentures in,
gulping
grog.
but it's
so delicious.
so
delicious.